1/ A Shakespeare fan never runs out of things to read.
I’ve been enjoying If This Be Magic: The Unlikely Art of Shakespeare in Translation by Daniel Hahn.
When the Royal Shakespeare Company commemorated the 400th anniversary of Shakespeare’s death, they had a sketch in which a bunch of (famous) Shakespearean actors argued about where to put the emphasis in “To be or not to be, that is the question”—the first “be”? the second “be”? “or”? “not”? “to”? “that”? “is”? “question”? In one chapter of If This Be Magic, Hahn listed (and briefly discussed) 15 different translations of the line into Spanish.
A translator has to think about meaning, double meaning, ambiguity, tone, register, the constraints of language, the choice to make when a word in the source language is ambiguous but has to be one or the other in the target language, etc.; a translator of Shakespeare also has to think about verse form, rhyme, rhythm, metre, sound, speed, emphasis, performance, dramatic effects, puns, jokes, wordplay, homophones, etc. Much is lost in translation but also much is gained, Hahn argues (though of course he would say that, as he’s a translator himself). It’s a thought-provoking and fascinating book, and I like that he’s funny.
(My only regret is that the book doesn’t discuss Vietnamese; it also doesn’t include Norwegian, but I’d make do with Danish).
A similar book about translations of Homer (into English) would also be interesting, though of course I would understand it less as I can’t read Homer in the original.
If you like Shakespeare and/or language and translation, read If This Be Magic.
2/ Is Shakespeare in translation still Shakespeare? I tend to think not. But it’s a fact—an interesting fact—that Shakespeare is one of the few playwrights who hold the global stage very well in translation. If we compare French dramatists, Molière is performed widely in many languages around the world—I have read Molière as translated by 5-6 different people and he’s always a hoot—but Racine doesn’t have the same appeal. When people read or watch Shakespeare in translation, his poetry is lost but his other qualities—his metaphors, his range, his characterisation and psychological insight, his examination of power and politics, his understanding of human nature, his sense of pacing and understanding of drama, and so on—are still there. When I read Racine, I suspected that much of his greatness was in the French alexandrine verse that got lost in translation.
Shakespeare in Swahililand by Edward Wilson-Lee is also an interesting read by the way.
3/ I suppose I don’t need to tell you what I think about translating Shakespeare from English into (today’s) English.
Have you heard of Shakespeare’s Sonnets: Retold by James Anthony? Let me ruin your evening/ morning.
Shakespeare’s Sonnet 29:
When in disgrace with Fortune and men’s eyes
I all alone beweep my out-cast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate.
Wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man’s art, and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
(Like to the Lark at break of day arising
From sullen earth) sings hymns at Heaven’s gate;
For thy sweet love remembered such wealth brings,
That then I scorn to change my state with Kings.
James Anthony’s rewriting:
What awful luck! I’ve been humiliated,
And so I sob alone for no one cares;
Not even God hears I’m infuriated;
Only my mirror duplicates my swears.
I wish I could be far more optimistic,
With ample friends who’ve got so much to say,
Like writers, thinkers, anyone artistic
Who’d help me look on life a different way.
Yet when I’m in despair, with self-made scorn,
I fondly think of you, then thoughts deploy,
Just like a warbling songbird marking dawn,
Alleviating pain with songs of joy.
For when I dream of you, my heart grows rich;
If offered wealth, I would decline to switch.
Ugh.
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