Other than these 2 moments, she's passive, indecisive, slow, dim-witted, careless. I've written about these things before, there's no need to repeat. That she's simultaneously charmed by, afraid of and repulsed by Count Fosco makes him a fascinating, colourful character, but it at the same time makes me have some strange feelings about her personality that I can't articulate.
About Laura, there isn't much to write. She's dull in her goodness and virtue. She's not unrealistic, I don't doubt that such women exist, but she's dull in her "perfection". In contrast, Anne Catherick is tedious in her mental deficiency.
The female characters in The Moonstone, in comparison, are a lot better. I like Rachel and Rosanna a lot, who are probably responsible for my high expectations when I got hold of The Woman in White. Rachel Verinder's a wonderful character, who is so real in her love, her resolution to remain silent and conflicted feelings for doing so whilst watching Franklin, and her outbursts for believing that he's a false, deceitful man. Rosanna Spearman's also wonderful, and there's something so beautiful, albeit sad and pitiful, in her unrequited love and sacrifice, which is depicted with understanding and sympathy and which is not at all sentimentalised. Miss Clack is of course another great character, but she's different.
If anything, The Woman in White deserves praise for the variety of female characters. Besides Marian, Laura and Anne, there are 2 women that are also silly and gullible- Mrs Michelson (the housekeeper, who should be praised for having her principles and resigning as her way of reacting against the deceit) and Mrs Clements (the woman helping Anne and being used for the switch), but we have the insolent Margaret Porcher (Percival's housemaid), the quiet but rather "dangerous" Mrs Rubelle (the nurse), the cold, unpredictable, manipulative Countess Fosco and the hard, proud, fearless, self-possessed Mrs Catherick. How I like Mrs Catherick's firm, calm, defiant, no-way-you-can-shock-me attitude in her encounter with Hartright. There should be more room for her.
*: I came across a blog and saw these lines:
"Ms Marian Halcombe is most probably the greatest character in the novel. She is the half-syster of Laura and spends her life protecting her and taking care of her interests. Witty, intelligent, and resourceful, Marian somewhat reminds me of Jane Austen's Elizabeth Benet. The two of them are most probably the finest creatures in the Victorian Age. Strong and independent, they the role of the woman is not merely to be a part of her husband, but to have her own opinion and character. Throughout the story I got to admire Marian, her clever judgment, her strength, and her mind."OK... OK... "greatest character", Elizabeth Bennet, "finest creatures".... put that aside. Hello, Jane Austen'd died before Queen Victoria was born!
Both of the sisters seem so inexperienced. I’d argue that while Laura’s decision to reveal her relationship with Walter (such as it was) to Sir Percival was honest, the language of her explanation could easily have been misinterpreted. Perhaps she hoped he would “honorably” withdraw from their engagement, saving her from having to break her word. Collins doesn’t highlight this, but the jealousy aroused by that “confession” appears meant to account for some of Percival’s change in attitude toward Laura. However, for me, Laura’s mostly a generic heroine who never comes alive as an individual. As for Marion, I find her an interesting character, a capable woman in a repressive society. She acts with great decision on several occasions in the novel when she is on her own. (the escape is one, and another was the sudden move). However, when Walter was around, she deferred to him. And on the one occasion she was distressed and angry over how Count Fosco spoke to her, Walter dismissed her by saying Laura was his priority. I thought she deserved a better ending than dwindling into a doting aunt.
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