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Sunday, 1 March 2020
On the ending of
The Custom of the Country
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1/ When Paul, now 9, visits the Moffatts’ new house, there is a very sad passage: “From these rooms Paul wandered downstairs again. The l...
2 comments:
The Custom of the Country
: Undine is a bore, and other things
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I finished reading The Custom of the Country a few days ago. I think the power of The Custom of the Country starts to diminish after Ral...
Monday, 24 February 2020
On blogging and depression
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This is one of those days when I’m asking myself: why do I blog? I’ve had this blog for about 8 years now, and been in the blog world for ov...
5 comments:
Sunday, 23 February 2020
The timeline of
The Custom of the Country
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1 of my complaints about The Custom of the Country is that Edith Wharton doesn’t specify Undine’s age at the beginning of the story or at d...
Thursday, 20 February 2020
On Edith Wharton’s essay “The Vice of Reading”
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So, Edith Wharton’s a book snob. In her essay “The Vice of Reading”, she makes a distinction between “the mechanical reader” and “the born...
Wednesday, 19 February 2020
Ralph Marvell’s pain, or something you can’t find in Jane Austen
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In the blog post about chapter 15 in The Custom of the Country , I already quoted a few poignant passages about Ralph’s illusion. For examp...
Sunday, 16 February 2020
The Custom of the Country
: Undine Spragg and sex
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Emma Bovary, we all know, is very physical and sensual. Here’s something I notice about the protagonist of The Custom of the Country : she d...
Friday, 14 February 2020
The Custom of the Country
: chapter 15 and Undine Spragg
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With some novels, such as Anna Karenina , War and Peace , or Lolita , you can tell from the start that you’re reading a masterpiece. Some ot...
Undine- Ralph Marvell marriage and the custom of the country
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The Undine- Ralph Marvell marriage very much reminds me of the Lydgate- Rosamond marriage in Middlemarch . The similarities are probably del...
2 comments:
Wednesday, 12 February 2020
The hand motif in
The Custom of the Country
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1 of the 1st things I looked for in The Custom of the Country was light—whether Edith Wharton still made use of light. She does, but because...
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