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Saturday, 29 June 2019
Kurosawa on film editing
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I’ve been reading Akira Kurosawa’s Something Like an Autobiography (translated by Audie E. Bock). It’s a very good book, an essential book i...
2 comments:
Saturday, 22 June 2019
Russian Ark
: a one-shot film
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Every review of Russian Ark starts with the same point: it is a 90-minute film (without credits) that comprises of a single unbroken shot. ...
Monday, 17 June 2019
An art gallery and a feminist: A rant
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1/ Yesterday I went to Manchester Art Gallery. Lovely gallery, with some great artworks. But 1 thing ruined the entire experience: The femin...
5 comments:
Saturday, 15 June 2019
The 2 Kieslowskis
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If you’re familiar with Kieslowski’s career, you know there are 2 Kieslowskis: the Polish Kieslowski—realistic, social/political, grey, ung...
Friday, 14 June 2019
The Double Life of Veronique
: doubles and choices
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I have always found it difficult to write about The Double Life of Veronique . The film is about 2 young women—Weronika in Poland and Ver...
8 comments:
Tuesday, 11 June 2019
Birthday, with showreel
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Today is my birthday. I've just made a showreel, showcasing my main works, so look at it: Hai Di Nguyen | Writer-Director Showreel ...
2 comments:
Sunday, 9 June 2019
Blind Chance
by Kieslowski
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We follow a young man named Witek, after his father dies, he takes time off medical studies, and tries to catch a train—as he runs through t...
Friday, 7 June 2019
Final thoughts on
The Scarlet Letter
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In an earlier blog post, I wrote that with my 21st century mindset, I couldn’t understand why Hester chose to stay in the town to be disgrac...
Tuesday, 4 June 2019
On Sidney Lumet’s
Making Movies
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I think every filmmaker should read this book. If you’re not a filmmaker but interested in his films, or interested in the making of a film,...
Saturday, 1 June 2019
Sidney Lumet’s rules for looking at rushes
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To get it out of the way, rushes are raw footage from a day’s shooting. Sidney Lumet has a chapter titled “Rushes”, and mentions some of ...
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